Singularity Movie

Singularity A supercomputer calculates the human race to be the biggest threat to Earth and wipes out almost the entire population. Years later, a teenage boy searches for human survivors in a world run by machines.

In 2020, Elias van Dorne (John Cusack), CEO of VA Industries, the world's largest robotics company, introduces his most powerful invention-Kronos, a super computer designed to end all wars. When Kronos goes online, it quickly determines that mankind, itself, is the biggest threat to world peace and launches a worldwide robot attack to rid the world of the 'infection' of man. Ninety-seven years later, a small band of humans remain alive but on the run from the robot army. A teenage boy, Andrew (Julian Schaffner) and a teenage girl, Calia (Jeannine Wacker), form an unlikely alliance to reach a new world, where it is rumored mankind exists without fear of robot persecution. But does this world actually exist?

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And will they live long enough to find out?.

This section does not any. Unsourced material may be challenged and.Find sources: – ( August 2016) Doug Wolens organized his interviews with the commentators (see list below) by this set of topics, related to the singularity. During each topic or subtopic several commentators provide their viewpoints, some with suggestions on how to get there, others with a skeptical opinion about when it will happen. Topic I. Subtopic:. Subtopic: Machines That Think.

Subtopic:. Topic II. Becoming machines. Subtopic:. Subtopic:. Topic III. Techno-utopia –.

Subtopic: Getting Ready. Subtopic: Is The Singularity Near?. Subtopic: Regulating technology. Topic IV. – TranscendCommentators, in order of their appearance in the film. This section does not any.

This section does not any. Unsourced material may be challenged and.Find sources: – ( August 2016) American composer Christopher (“Chrizzy”) Lancaster scored the original soundtrack for the film.

The soundtrack was created by the processing of acoustic cello sound through real-time samplers, audio effects and filtering recording his cello and feedback.Release The Singularity had limited theatrical release beginning with the 1400 seat Castro Theatre in San Francisco in September 2013, along with screening at the Brattle Theatre in Cambridge MA, the Smith Rafael Film Center in Marin California, and The Santa Fe Center for Contemporary Arts. The film has also had screenings at Yale University, University of Edinburgh, Arizona State University, NASA, BIL, and others. These screenings featured post-screening discussion with expert panels, and/or question and answer sessions with director Doug Wolens.

Doug Wolens has pursued an alternative self-distribution strategy for The Singularity, working directly with theatres, museums, educational institutions, as well as with the national and local press, to promote the screenings and iTunes December, 2012 digital release. Reception Stephen Cass of the called it 'a lively introduction' that does not cover new ground. Geoff Pevere of wrote that the film, a 'intense, idea-packed account' of the concept, casts McKibben as the most compelling speaker, as his arguments come across the most human, appealing not only to reason but also feeling.

Alex Knapp of wrote that it is 'well done and provides a good overview', though he said he would have liked to have seen more criticism of the basic tenet of exponential technological growth. The interviewees themselves also attracted commentary; Case asked why there were no non-white subjects, and Pevere described them as 'neo-hippie, unkempt lonhairs'. References.